Hair of the Dog song Wikipedia
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Nazareth is a band that originated in 1968 is still listed as active as of the writing of this post, having dropped their most recent studio album, Tattooed on My Brain, in 2018. And again, he is touting himself as being a hard person to deal with specifically within the context of interacting, presumably romantically, with a woman who herself has proven formidable in that regard. Scrobbling is when Last.fm tracks the music you listen to and automatically adds it to your music profile. Discovering this hidden wordplay in the song only deepened my appreciation for its artistry. It made me realize how intricate and well-thought-out the lyrics were, going beyond surface-level meanings.
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“Hair of the Dog” is the title track of Nazareth’s album Hair of the Dog. It was released in 1975, and that riff blared out of radios everywhere, searing itself into the consciousness of record buyers and igniting the band’s career. The ring of the cowbell and the driving guitar riff made for a winning combination, and to this day, it remains the band’s signature song. The one that most everyone knows from the guys.“Hair of the Dog” is the title track of Nazareth’s album Hair of the Dog. It was released in 1975 and that riff blared out of radios everywhere, and seared itself into the consciousness of record buyers, sending the album into the Top 20, giving the band the biggest album of their career.
/ Nazareth House--home to 85 boys
Listening to this song, I couldn’t help but be captivated by the story it painted. It made me reflect on my own experiences with people who possessed a similar charm. It served as a reminder to stay alert and not let myself be easily swayed by others’ manipulation. The Scorpions and UFO guitarist is also a very prolific songwriter - he explains how he writes with his various groups, and why he was so keen to get out of Germany and into England. Katy Perry mentions McDonald's, Beyoncé calls out Red Lobster, and Supertramp shouts out Taco Bell - we found the 10 restaurants most often mentioned in songs.
Organizations like Nazareth House of Los Angeles
But going back to the chorus, the reason the vocalist is touting himself as such an unfavorable individual is to let this lady know that he will not be one of her victims. That is why for instance he is able to perceive the subject’s true nature. The reason he is referring to himself as such is sorta as a warning to said subject, who is depicted as a “Midnight Shoulder”, “Red Hot Mama” and “Velvet Charmer” amongst other colorful monikers. In fact when the vocalist calls her a “Mantaker” and “Born Faker” in the second verse, that is, all things considered, a lot more revealing of her personally.
The Meaning Behind The Song: Hair of the Dog by Nazareth
“Hair of the dog” is a phrase often used to refer to curing a hangover by drinking more alcohol. This pun takes it a step further, cleverly transforming it into “heir of the dog,” which can be interpreted as “son of a bitch” in this context. Nazareth's record label wasn't about to let them name the project Son of a Bitch.
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Personnel at Nazareth House of Los Angeles
The best way to follow-up the drippy power ballad is with an even more powerful, the riff-driven rocker, “Changin’ Times”. The song proper is like Led Zeppelin on steroids, with different variations on the main riff alternating between the fire-one, high-register a capella vocals. However, what makes this side one closer a classic is the building, closing jam which adds several overdubbed guitars to the unrelenting, throbbing beat, making this a true highlight of the album. “Beggars Day” is a fine blend of hard rock, which falls somewhere on the spectrum between Aerosmith and AC/DC. Charlton supplies great electric guitar blends, riffs between the vocal lines and a good sense of melody and rock intensity throughout, with the guitar lead continuing the use of multiple bluesy guitars, giving it a thick atmosphere of pure rock ambiance. As a standalone song, it only charted in Germany, where it peaked at #44.
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The pure, unrelenting, unambiguous title track commences with the cow-bell laden drum beat of Darrell Sweet, soon accompanied by the crisp guitar riff of Charlton. McCafferty’s rough but melodic vocals provide the indelible hook along with the middle talk-box lead, all making for a song filled with infectious rock elements, which helped Nazareth become a staple of classic rock radio for decades to come. “Miss Misery” follows as a more serious hard rock counterpart to the almost celebratory opening track. This track reaches into the very heart of the album, which is mainly negative in lyrical tone but in no way meek in delivery. As a bonus, Charlton’s slide guitar lead gives it all a blues legitimacy that brings the song to a higher level, especially with his odd but satisfying guitar chime section to end the track.
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Jack White titled "Seven Nation Army" after how he would mispronounce "Salvation Army" when he was little. All songs written by Manny Charlton, Dan McCafferty, Pete Agnew, Darrell Sweet, except where noted. The aforementioned quartet of Nazareth members are individually credited as the authors of this song, with Manny Charlton also producing the track. Nazareth’s rendition of “Hair of the Dog” only managed to chart in Germany, where the band was quite popular during that era of its existence. And out of that group, Agnew has remained down with the band throughout the years and up until this day.
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Cure lead singer Robert Smith originally wrote "Lovesong" as a wedding present for his fiancée, Mary, shortly before their marriage. After three albums with Deep Purple's Roger Glover producing, Manny Charlton stepped into that position, one he filled for several subsequent albums. Old Time Music is proud to have such a passionate and talented team of writers who share their love for music with our readers. In 2014, “Hair of the Dog” was featured in the movie Dumb and Dumber To, enhancing the comedic effect of Lloyd’s fantasy about Harry’s daughter. The song’s impact has transcended decades, proving its enduring appeal and ability to enhance various forms of storytelling.
It has also been covered by Paul Di'Anno, The Michael Schenker Group and Warrant. Stone Rider covered the song for their 2008 studio album, Three Legs of Trouble. Bob Dylan was little known when he released "Blowin' In The Wind" so the cover versions - especially by Peter, Paul and Mary and Stan Getz - were much more popular at the time. The album was first reissued on CD in the USA in 1984; the disc was manufactured in Japan with the inserts printed in Japan. There are also remastered editions released since 1997 with different sets of bonus tracks.
All four members of this group, led by Charlton and lead vocalist Dan McCafferty were members of the group The Shadettes, dating back as far as 1961. In 1970, the band relocated to London, which soon brought them a recording contract, starting with their self-titled debut album in 1971 and the country-rock flavored Exercises in 1972. The song and album Hair of the Dog was originally derived from the hook “Son of a Bitch” as “Heir of the Dog”, but changed as a compromise with the record label, using a popular phrase describing a folk hangover cure.
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The first song recorded for the sessions was a cover of the Everly Brothers’ “Love Hurts”, intended as a single-only release. The album itself was slated to include an electric piano and slide guitar fueled cover of Randy Newman’s “Guilty”, but a last minute switch was made after A&M Records co-founder Jerry Moss heard the recording of “Love Hurts”. "Hair of the Dog" is a song by Scottish rock band Nazareth, released on their 1975 studio album, Hair of the Dog.[2] The song, alongside "Love Hurts", remains their most successful and popular.
Thus, Hair of the Dog was selected as a compromise, putting the finishing touches on a career-defining release.[4]The album title is often considered to be a shortened form of the phrase describing a folk hangover cure, "the hair of the dog that bit you". Following the success of Hair of the Dog, Nazareth continued to have moderate commercial success, releasing nine more studio albums and a popular live album over the next decade, giving the band a respectable measure of longevity and a healthy catalog. We were sifting through his vinyl collection, and when he pulled out the Hair of the Dog album, I was immediately intrigued. As the needle hit the groove, the raw energy and infectious rhythm of “Hair of the Dog” filled the room, enveloping us all.
Originally written by Boudleaux Bryant, “Love Hurts” features exquisite, Phil Spector-like production with tremendous space provided for each instrument, especially Charlton’s flanged guitar pattern and Sweet’s echo-drenched drums and percussion. This is also the first song on album where Pete Agnew‘s bass has a real presence, with McCafferty’s soft-edged and emotive vocals making this arrangement a true group effort. The best part of this Top 10 hit is the slow, sustained guitar lead, which reaches for the Heavens sonically. “Hair of the Dog” incorporates a talk box heavily during its bridge, adding a distinctive and memorable touch to the song.
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